I had to travel from Vijayawada Railway Station to Narsapur Railway Station by MEMU train.
The train was scheduled at 2:20 PM.
Unfortunately, I started later than I had planned.
At 1:50 PM, I boarded an auto. Rapido showed that the railway station was about twenty minutes away. The train was supposed to arrive on Platform Number 3.
While sitting in the auto, I kept looking at the traffic signals.
Will I reach on time?
Will I miss the train?
Every signal seemed important.
Every minute seemed important.
I reached the station at 2:11 PM.
Without wasting time, I took a ticket from the vending machine and hurried towards Platform Number 3.
By 2:16 PM, I was standing on the platform.
The train had not arrived.
For a few moments, I felt relieved.
Then another thought came.
There were many people waiting.
Will I get a seat?
The train finally arrived at 2:50 PM, thirty minutes late.
Many passengers boarded while it was still slowing down. By the time I entered, most of the good seats were already occupied.
Still, I managed to get a seat.
Not a window seat.
But a seat.
Since it was a MEMU train, every coach was almost the same. Long seating arrangements, standing space and passengers constantly moving around.
After the train started, I put on my earphones.
I began listening to Annamayya Keerthanas.
Among them, I kept playing Jagadapu Chanavula Jajara on loop.
For the past few days, I had been thinking about recording some songs in my own voice.
One day, I want to place them on my website, Vedaanganam, along with my stories and writings.
Another thought crossed my mind.
Sometimes I return home late.
One day, if I am not at home during the night, perhaps my daughter could listen to those recordings as a lullaby.
Perhaps Gowri could listen too.
The thought made me smile.
I continued listening.
After some time, a voice interrupted me.
"Babu, ekkadi daaka?"
I removed one earbud and looked up.
An elderly woman was standing beside my seat.
She appeared to be over sixty years old.
She wore a green saree with yellow and red leafy designs. The colours were not bright. The saree looked old but neat.
Her face had sagged with age.
Her cheeks had sunk inward.
Her eyes seemed deep inside their sockets.
"Narsapur," I replied.
She then asked the passengers sitting opposite me near the window.
"Bhimavaram," they replied.
"Nenu Aakiveedu daaka," she said.
That was all.
She did not ask for a seat.
She did not ask for help.
She simply stood there.
Aakiveedu comes two stations before Bhimavaram.
Bhimavaram comes three stations before Narsapur, which was the last station.
At that moment, the estimated arrival time at Narsapur was showing around 7:30 PM.
The current time was around 4:20 PM.
I wondered why she had asked.
Perhaps she wanted to know when a seat might become available.
Perhaps she wanted to ask for a seat but could not.
Or perhaps she was simply making conversation.
I did not know.
My thoughts started wandering.
She stood holding the upper rail of the seat.
For a moment, I thought about standing up and offering my seat.
But I did not.
I was exhausted.
I had not eaten anything that afternoon.
Three or four years ago, I feel I would have stood up immediately without thinking.
Now I was thinking.
And thinking.
And still sitting.
That thought bothered me.
Had something changed in me?
I thought about my daughter.
If she were standing there, I would immediately offer her a seat.
The elderly woman standing beside me was obviously weaker than I was.
She was of medium build and I imagined standing for long durations must be even harder for her.
Yet I remained seated.
I felt guilty.
For some reason, a Bible verse I used to quote often came to mind.
"Melainadi cheyanerigi aalaagu cheyani vaaniki paapamu kalugunu."
James 4:17.
To know the good one ought to do and yet not do it.
The verse lingered in my mind uncomfortably.
Another station came.
More elderly people boarded.
The compartment became more crowded.
I found myself thinking about something strange.
Maybe if I earned more, I would be travelling in a more comfortable coach.
Or perhaps by bus.
Or perhaps by flight.
And maybe I could avoid these moral dilemmas altogether.
The thought disappeared as quickly as it came.
A few minutes later, vendors started moving through the compartment.
Water bottles.
Cool drinks.
Samosas.
Sanagalu.
Every time one of them passed, the woman had to adjust herself and move into the narrow spaces available.
Again.
And again.
And again.
While watching her, I noticed something.
There was a bandage wrapped around the big toe of her left foot.
I looked at it carefully.
She was injured.
Perhaps she was standing in pain.
Yet even then I did not get up immediately.
I opened the railway app again.
The arrival time for Aakiveedu was showing 5:30 PM.
The current time was 4:40 PM.
Almost fifty more minutes.
I finally thought,
I can stand.
I looked at her and asked,
"Kaaliki debba tagilinda andi?"
She looked down at her foot and replied,
"Velu vaachindi. Hospital lo choopinchuku vastunna."
She had just returned from a hospital.
I slowly started getting up and putting my bag aside.
"Kurchuntara?"
Before I fully stood.. when in midway keeping aside my bag, something unexpected happened.
The man sitting opposite me stood up after me.
He looked around thirty to thirty-five years old. I'm 25. He's probably ten years older.
Medium build.
Ordinary appearance.
He said,
"Meeru kurchondi. Parledu."
I immediately replied,
"Ledu andi. Meeru kurchondi. Nenu nunchunta."
But he firmly remained standing.
The woman slowly sat down.
Then something happened that stunned me.
She started crying.
Silently.
Tears came from her eyes.
She kept rubbing her cheeks with the edge of her saree.
Trying to stop herself from crying.
Trying not to let anyone notice.
I sat there quietly.
I did not know what to say.
She continued for a while.
Then gradually stopped.
After some time, she became silent again.
I put my earphones back on.
This time I started playing another Keerthana.
Nanati Bathuku Natakamu.
I looked at the lyrics while listening.
As an atheist, I was surprised by how much comfort the song was giving me.
The lines appeared before me.
"Puttutayu nijamu. Povutayu nijamu. Natta nadi nee pani natakamu. Etta eduta kaladi prapanchamu. Kattakada pattidi kaivalyamu."
Birth is true.
Death is true.
Everything in between is a play.
The world appears before us for a while and disappears.
While listening, I happened to read a comment below the song.
A woman had written that she lost her husband six days ago.
She thanked the singer Jayasri garu because the song gave her solace.
I sat looking at that comment for some time.
Then the second Charanam began.
"Tegadu paapamu. Teeradu punyamu. Nagi nagi kaalamu naatakamu. Edutane Sri Venkateswarudelika..."
Something struck me suddenly.
If God exists at all...
And I do not believe he does...
But if he somehow exists...
Perhaps he is also simply watching.
Watching exactly like I was watching.
Watching people come.
Watching people go.
Watching people suffer.
Watching people help.
Watching people cry.
Watching people leave.
The next line played.
"Edutane Sri Venkateswarudelika... Gaganamu meedidi kaivalyamu..."
I could not get out of the song.
After it ended, I played another version sung by Rahul Vellal.
Then another.
The train continued moving.
Eventually Aakiveedu arrived.
The woman slowly got up.
She looked at the man who had given her the seat.
"Thanks babu. Kurcho."
He smiled and replied,
"Nenu ide station diguthanu."
Only then did I realise that he too was getting down at Aakiveedu.
The woman smiled.
Seeing that smile relaxed me.
Then she turned toward me.
"Thanks babu."
I immediately pointed toward him.
"Parledu andi. Nenem chesanu? Aayane nunchunnaru ga."
She looked at both of us.
Smiled once more.
Then stepped down onto the platform.
A few moments later, the man also got down.
The train started moving again.
Aakiveedu slowly disappeared behind us.
I put my phone down and looked outside.
For some reason, I kept thinking about her tears.
She did not cry while standing.
She did not cry when she spoke about the hospital.
She cried only after sitting down.
And I still do not know why.